In this collaborating project, fine art paper serves as his raw material. Folding, draping, moulding and ripping the paper, he is creating instant and very short-lived designs that only live long enough to be recorded on a computer chip in a camera.

This performance and dance-like piece is documented and digitalized by fashion photographer Per Zenstromm. Even though the resulting sculptural shapes are physical objects consisting of real paper, they will only live for an instant, barely enough to be recorded and preserved in a digital form before they are gone. The digital output of Michael Sontag's work is then presented on stage at Photokina, in the form of a fashion-photo shooting/performance which in many ways is a digital "reflection" and re-enactment of the first analogue session.

As the process-performance nears the end, the resulting images are again migrating back to the original media - paper. Large format prints from the photo shooting  will be printed out on printers in plain view of the visitors.